This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. There will also be a Windows version of Canister available very soon.To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. You can also get a MagStor unit through Hedge where you will receive a $500 USD Hedge Fund credit on top of that. All new MagStor purchases now come with a Canister license included. More and more people are starting to use MagStor for their LTO needs, so Hedge has teamed up with MagStor to bring you full driver detection and support for their devices. If you don’t specify an output colorspace or apply a LUT EditReady will continue to read the RAW file’s metadata and apply any embedded LUTs and color transforms specified on-set. Spectrasonics - Omnisphere 1.0 WIN.OSX X86 X64 corbebarn ESET NOD32 Antivirus 12.2.30 Activator Download Mp3 Vidya Vox Bee Songs (5.13 MB) - Free Full Download All Music UPD 691 Chubby Boys 184, XA050390 iMGSRC. For example, if you choose ARRI LogC/Wide Gamut as your output format and then select the ARRI LUT, you will get the correct result.ĮditReady will convert any RAW footage from ARRI, Sony, RED, or Blackmagic, into your chosen colorspace before applying the LUT. The way to avoid this is to let EditReady convert the original LUT-free video and apply the appropriate LUT after the conversion. When the video is converted, any previously-applied LUT won’t be correct. You don’t need to find the correct output LUTs for each camera make and model, because EditReady will automatically do that for you.Ī LUT will only be valid as long as the video remains in the same color space. EditReady converts any RAW format into these video standards automatically, without you having to worry about camera gamma or gamut settings. The new color conversions options (available through the color conversion panel) let you quickly choose between Rec709 (SDR) and PQ or HLG (HDR). The new Color Conversion panel lets you pick a destination colorspace and LUT, and then EditReady does the conversion for you. X-OCN saves between 30% and 60% compared to the original RAW media.ĮditReady also receives new Color Awareness technology that allows you to shoot in all flavors of RAW without having any headaches in post. EditReady can now take both the original Sony RAW and the much newer X-OCN codecs and converts them into more manageable files. Sony’s X-OCN codec is a compressed RAW format. EditReady- Color AwarenessĮditReady now offers full Sony support and it will work with both Sony RAW and X-OCN files. You can also generate sidecars containing all your custom elements, which will be processed automatically by iconik’s Storage Gateway app. In Hedge, you can now automatically add metadata to all your iconik assets. Hedge now integrates with iconik, and EditReady features a new color pipeline as well as Sony RAW and X-OCN support. New versions of Hedge and EditReady have been released.
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